This article describes the compositional and performance practices involved in my 2018 piece Polytope. This microtonal multimedia piece is performed by 4 musicians playing Launchpad Pros in total darkness, with live feed video and electronic 4-channel sound.
The following is a reflection on the 2019 piece Count In by composer Daniel Corral. In this essay Corral lays out his creative process alongside formal elements of the piece, while considering experiences of stability, change, and presence.
An article detailing the journey of James Tenney’s Changes: 64 Studies for 6 Harps rom composition to recording – a history that spans 32 years and involves a number of people.